K–INSP–006 · Inspiration
Cursor Training Compute Bars
A stacked proportion broken across three rows, where each bar grows at a length-derived pace and its own readout counts with it.
View studyKaki catalogue
K–INSP–005 · Inspiration · Interaction
A sticky page index whose single accent mark springs diagonally to the end of the current section label.
Kaki reconstruction / Live
Scroll the reading panel, or choose an entry in the contents column. The source indexes a whole page and appears only above 80rem; this specimen holds the same behavior inside a bounded panel so it can be read at any width. The section copy is Kaki’s own.
01 / Opening
A list of sections is usually treated as furniture: it sits beside the text, it is correct, and nobody looks at it twice. Giving it one moving part changes what it is for.
The mark below travels to whichever entry is being read. Nothing else in the list moves — the labels hold their positions and only their weight changes.
02 / Paper grain
A hairline runs the height of the column and a short tick meets it at every entry. The armature is what makes a six-pixel circle legible at all.
If the rule or the ticks also moved, the mark would lose the fixed frame it is being read against.
03 / Ink weight
Resting entries sit at 40% ink, a hovered entry lifts to 60%, and the current entry settles at 78%. The current entry is never full black.
Holding the active state below full weight keeps the column subordinate to the text it indexes, and leaves hover legible as a separate signal.
04 / Margin notes
Because the mark follows the end of each label, and labels are different lengths, it does not slide down a straight channel. It crosses the column on a diagonal.
That diagonal is the whole effect. A dot fading in and out of a fixed right-hand column would be tidier and would say considerably less.
05 / The fold
Selection is decided by a band across the upper-middle of the reading area — the top 15% and bottom 60% are excluded — and the topmost section inside it wins.
When no section is inside the band, the previous entry simply stays current. The mark never falls back to nothing between sections.
06 / Closing mark
The whole effect is one six-pixel circle and a colour ramp. If a visitor never notices it, the index still functions as a plain list of links.
That is the test for this class of motion: remove it and nothing breaks; keep it and the page becomes easier to hold in mind.
Behavior verified in the supplied Cursor Composer archive · Kaki-authored interface and section copy · still transitions on reduced motion
Observed interaction / 03
These diagrams describe the source mechanism without reproducing its screenshots, page copy, or bundled application code.
Why it is here
The source spends one small accent circle on a problem most long pages solve with a heavier bar, a highlight, or nothing at all. Because the mark moves rather than reappears, a reader who glances at the column once already knows both where they are and which direction they came from — and because it trails the label rather than sitting in its own channel, that move reads as a diagonal across the index.
The mark rests after the label rather than in a column of its own, so unequal section names turn a vertical change of state into a diagonal move. It is the smallest gesture in the collection and the one that most clearly rewards being watched.